Why are you interested in the Youthquaker fashion era? Is Diana Vreeland a hero? I never want to just be perceived as a pretty face I’m trying to come from a more intelligent and eloquent place that allows the music to take front and center. What are your visual priorities as an artist? and is sort of a vintage style fashion film it doesn’t really have a linear narrative, it just positions me in various vignettes. It’s for the last track, “Wrong #,” on the Crown Gold EP we wanted it to feel like a transition into the new project. We’re about to premiere your latest video.
Taylor Swift Takes Fans Behind the Scenes of 'Midnights,' Confirms Jack Antonoff Helped Make Itįor now, as London Fashion Week draws to a close, we bring you the premiere of her final video from Crown Gold, “Wrong #.” Watch it below as Rolling Stone chats with Finister about her Anglo obsession, her style and why pain is the ultimate unifier. “I wasn’t rebelling, I just suddenly knew I was destined for the stage.” “When I found mod, I found myself,” she says. Models Jean Shrimpton and Twiggy, as well as Diana Vreeland – the powerful Vogue editrix who christened those intrepid ingenues as definers of their generation – became her heroines, and provided both a departure from her bleak circumstance and a creative compass for her own future. She found Bob Dylan, then Edie Sedwick, then lost herself in the Swinging London-era fantasy of “Youthquakers,” a sharply stylish and modern collective of young women emblematic of all the things she loved and aspired to be. Growing up on the rougher side of L.A., Finister sought solace and hope in music, falling in love with particularly visual strands of Sixties music at an early age.
#Phlo finister spaceghostpurrp mod#
“It would be so cliche for me to look how I sound,” says Phlo “Elijah” Finister, the self-dubbed “Youthquaker”-inspired artist fast gaining traction for her compelling hybrid of Voguette mod and noir urban aesthetics.
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